outcast oddity returns for their first full artist ep. who better to ask than sebastian voigt? his contribution to the label s v/a 003 compilation called lux aeterna‘, was a transcending techno trip that turned heads earlier this year. just as the ep s title, or rather the lack thereof leaves room for interpretation, this music refuses to be categorised too easily. rough around the edges but effortlessly elegant, one foot in the past and one in the present, sebastian delivers three mature tracks that evoke memories of acid house, uk rave, sweaty basements, strobe lights and euphoric moments.

lady gagas neues album joanne in der deluxe edition inklusive 3 bonus-tracks. das doppel-vinyl erscheint im klappcover.

what to say about dlm ?, they are just one of the best darkwave bands of germany of all time / this deluxe edition is a deserved retrospective of their best works during the brilliant period of 1993-1996 / incomprehensively the included tracks are released in vinyl for the very first time.

following a soulful ep that enjoyed recognition from many big names in the industry, algorhythmic is moving forward to its second release which already hits the dancefloor with groovy, yet powerful tracks. the va brings together artists from all around the world who don t cease to amaze with their fresh beats and out of this world sounds. already having the support of raresh, petre inspirescu and barac, just to name a few, the record promises to deliever an exquisite groove, so get ready to lose yourself to it!

produced out of excellent techhouse, spoiled with tender sweet ingredients and completed with just the right amount of dark influence – on “canned jam” jason ryse actually brought as 3 new compositions.

arious artists exploring more obscure territories of musical universe. ambient soundscapes, subtle grooves, hypnotic tunnels, mesmerizing melodies, tectonic rattle, are just some things to expect on this submersive journey. out on limited edition 180g clear vinyl

the original track is an industrial and distortion experimental project of the owner label federico amoroso which contain a really metallic and dark sound. positive centre his remix it s a dark walk into industrial noise and distortion audio bites, with ambiental moment and powerfull distroy counter. the first track of b side it s remixed by italian producer plukkk which heavy dominating with relentless attitude and distortion driving kick - drum, with big impact for the dancefloor. the last remix is an collaboration with the japanese producer yuuki sakai which has an original idea to add a lyrical singer in the middle of distortion broken techno beat. the new label started well: arriving the big names of the genre and industrial noise skarn division label founder federico amoroso, a new label that will touch many different genres and musical nuances: techno, industrial, noise, drone, ambient and experimental, a melting pot of sounds joined together by a passion for harsh corners and futuristic electronics. artists who remix the first disc of the founder federico amoroso are positive centre (who played several times in places like berghain and tresor), plukkk and yuuki sakai: every producer knows that long in the field of industrial techno and noise music (just look, to name one, the presence of the same positive centre to the latest editions of the berlin atonal festival, or even yuuki sakai: remixed by oscar mulero .. and so on!)

jede seite von jeder 7inch aus syl johnsons entstehungsjahren auf dem federal label. aufgenommen zwischen 1959 und 1962, ist my gift eine beispielhafte sammlung von frühem r&b, der chicago blues mit feuriger seele verbindet. weltweit auf auf 1.000 exemplare limitiert.

richeart is a young cat from italy thats been doing his thing like he is from the d. he played these 3 joints to jerome derradji and after some finagling and editing, heres his first 12inch for still music. its dirty, raw and uncompromising. just like it should be on any dancefloor.

rhythm&soul s just groove it label has been excelling in its first year of operations, serving as a vehicle for the paris-based producer to air his own productions while drawing good friends into the fold. following on from chris carrier s appearance on the previous 12-, this time around ben rau has been invited to join in, and the resulting two tracks are testament to the strength of the collaboration. -the long tomorrow- is funky as hell, keeping the swing levels high and using a crafty set of minimal sounds to create movement. -we can do it like that- takes a deeper route, using dubby production methods to create an immersive treat for the dancefloor.

it s been a quiet year for kai alce, but finally the atlanta house hero returns with a new pair of tracks that will surely satisfy any fans of his instinctive, expressive take on club-ready deep house. this latest drop comes on sounds of the city, which has also supported the likes of walt j and brian harden. -just wanna- is a sure and steady workout peppered with woozy chords and a nagging vocal lick, but -movin thru- is surely the record s stand-out moment. with just the right balance between the edgy chords and the rounded bassline, it s a simple cocktail that plays to alce s strengths perfectly.

the rolling stones release ‘blue & lonesome’, their first studio album in over a decade. ‘blue & lonesome’ takes the band back to their roots and the passion for blues music which has always been at the heart and soul of the rolling stones.
double heavyweight vinyl in a gatefold sleeve with album download card.

introducing ideaz, two skilled beat-makers discovered by cold busted, hailing from within the funky heart of russia. marat and nicolay make their ideaz debut with motion capture, a fantastic 15-track album that showcases the laid-back, blunted flavor of the duos rhythmic constructions. jazzy samples, vinyl pops, and crafty scratches abound as the album speaks the universal language of the instrumental hip-hop head-nod. “every day” hypnotizes with its funky handclap stomp, quick guitar riffs, and fleeting splashes of vocal. a gentle approach is revealed on “blossom fell”, featuring a dreamy female vocal hook, slowly tremolo’ed electric piano chords, and an overall air of wistfulness. “lines” brings ideaz into futuristic funk territory as its loping cut-up beat, abstract synth melodies, and ascending bass line imagine a robot dance-off on a year 2054 episode of soul train. those are just a few of the highlights to be found on motion capture.

no one flips it like a-trak. his limited edition box set “in the loop: a decade of remixes” commemorates twelve of trizzy’s most notable remixes - from blog favorites to festival smashes - on six 7” colored vinyl singles (2x white, 2x blue, 2x black) in custom sleeves, all housed in a beautiful collectors box. the wax is accompanied by a 32 page booklet featuring original artwork and a-trak’s behind-the-scenes stories on each remix, making “in the loop” a must have for any fg fan, #realdjing enthusiast or forward-thinking music lover in your life.

der soundtrack von »vinyl« vereint klassiker des souls mit melancholischen blues einflüssen, country und kraftvollem rock n roll. die künstler-liste besteht aus namenhaften musikern wie otis redding, ruth brown und dee dee warwick. auch ty taylor, der den theme-song der serie beiträgt, kaleo, eine indie rock band und viele andere künstler aus den 70ern wie mott the hoople und the jimmy castor bunch sind vertreten.
180 gramm doppel-vinyl im klappcover, cd-version des albums inklusive.

we are very happy to count with synth alien for the 7th reference of clasicos del ruido. beyond the alpha cygni its just one of those histories that someone could imagine while it s watching the sky. four cuts of melodic electro, that draw broadly, the map of an intergalactic trip, whose development will be different in any of you.

moving across the dynamics of feelings and rythms of matter, oltrarno recordings presents “observing organic structures”, a mini lp produced from the duo raccoglimento parziale. the breath of analog machines tarnishes the infinite mirrors of possibilities. our duo wants us to absorb their work not only with the ears, but through all our pores. attention becomes our antenna. to refine this package, long time friend of the duo spacetravel, who just released his debut double-ep on perlon, elaborates his personal view with a full galloping remix.
raccoglimento parziale is a project by stefano meucci and andrea giachetti
written and recorded in pausenraum, berlin, 2015.
mastered by stephan betke at scape, berlin.
artwork by juana anzellini, von der serie “anonyme”, 2015.

es ist bereits das zweite comeback von pete doherty in kürzester zeit. nachdem er schon letztes jahr mit »anthems for doomed youth« ein neues album seiner band the libertines veröffentlichte, folgt 2016 mit »hamburg demonstrations« ein neues solowerk des britischen rockmusikers. es ist der nachfolger zu »grace/wastelands« von 2009.
die vinyl-lp erscheint inklusive downloadcode.

welcome to the astral theme. a new art series by virassamy. we are pleased to have ivano tetelepta back on the label. he s a talented artist who makes rare appearances and who doesn t follow any sound of the moment. he s just doing naturally his own thing with subtle class and warm grooves. for this ep ivano has invited his friends for a second shot in a series that started on one of uk s finest labels, fear of flying. passing through different moods and minds this ep will lead you into a fabulous trip. hot wax ! early supports by: raresh, sebo k, bambounou, dyed soundorom, einzelkind, john dimas, martyné, molly, nail, och, seafom, giovanni verrina, yamen & eda, anestie gomez…

ltd stock ... cajmere aka green velvet with early 90s underground chicago house tracks... pumpin , jackin as well... just a real house classix

just a year after their fabulous ‘holysheep’, containing the hit ‘psnl’ and ‘fiat 500’, cheaper shepherd are back with a second ep for forecast label, made of the same old-school house fibers. written in record time, the three tracks swing between french house, filtered hip-hop samples and instrumental disgression, played by real hands on real keyboards, that real music lovers will adore.

wareika steps up for the amphias 12th vinyl chapter. the german trio walks off the beaten techno trail, applying just enough pressure on the bassline pedal to envelope your attention on the sinusoidal theme from break new sol, revealing at the end a rewarding guitar solo, hidden all this time under the crisp percussions. on a train again completes side a, with its industrial ambient modulations steadily stabbed by the derailed cadence.
sit reinterprets wareika on side b: a more dancefloor oriented take, with just a few breaks from the devilish rhythm, enough to give the crowd some time to breathe into the tracks odd atmosphere. wareika s playful harmony makes a great addition to amphias musical path.

the super deluxe collectors edition comes with 3 x 180 gsm luxury tri-coloured vinyl (red, orange, white), 3 x cd (2 dj mixes, 1 unmixed ‘the future’), and a 112 page 12” square twenty hardback photo book of the iconic global underground album photography shot by dean belcher, all packaged in a hardbound slipcase.
the 3 x cd global underground twenty album features 50 tracks including 15 album exclusives across 2 x mixed cds which look back at the finest moments in gu’s history with a collection of new and exclusive remixes of gu classics from gabriel ananda, petar dundov, redanka and more, and also a bonus unmixed cd entitled ‘the future’, featuring 10 exclusive tracks from some of world’s best new producers such as denney, dale middleton and just her.

highly limited 10- dubplates. following on from medium’s hugely successful 6th chapter in our project mohawk series, we waste no time gearing up for number 7, and make no mistake, it’s one of the biggest. for the next instalment, we handed the creative reigns to kaset. already treasured as one of our brightest talents, he showcased his early abilities in the edm.com premiered ‘contour’ from our musical currency volume 3 compilation, but that alone was the briefest insight into what would follow. more a mini album than an ep, kaset presents seven tracks of what we feel is his finest music to date. each track stands up to objective scrutiny in its own right, but together they form a body of work that few can deny is seriously on point. this is an ep for the heads, the only punches it pulls are bass laden ones to the solar plexus. those out looking for the freshest of deep beats, it’s time to load up, you’ve just found them!

acid anthem! exile is the next level basecamp of johannes heil and markus suckut. we at exile know that it is nonsense to write anything about music, because music can only be translated by listeners ear. so close your eyes. dont speak. dont think. just listen..... we are exile. mastering and cut my dubplates and mastering berlin.

rawax proudly welcomes alexander dorn aka credit 00 to the rawax family!
back in the days at the west-saxon highlands there was a missile, which marked the starting point. when credit 00 saw the legendary rocket rise on tetris’ final screen, it was the first time he became aware of electronic music at all. since then it actually hasn’t changed that much. he keeps pushing that buttons that belong to the impressive pool of music machines towered up next to his bed. after moving to dresden in 2000 to study fine arts, his passion for synthesizers and drum machines got nurtured through visits of dresden’s club-canalisation. he quickly made himself a name as a dj, who is just doing his own thing and got popular for that reason. as a part of the idealfun-crew he started hosting parties always in the twilight zone between legal and illegal. this led to “robo dance”, dresden’s only and (also for some other reasons) best electro club night featuring guests like dmx krew, luke eargoogle or imatran voima. the track credit made with randy barracuda of imatran voima has probably been created some time after the show. apparently, randy was not in good shape anymore and so “lebensraum” unmistakably bears credit’s hallmarks. for his own music he’s inspired by cannibal movies, number theory and birds. still, his music is not easy to pigeonhole. after all, he loves synth wave, electro, afro, kraut, kosmische, disco, italo, miami bass and other proto stuff – a lot of machine music.

mysterious producer kian t is a crazy guy living in a lonely house on a top of a hill somewhere in italy. surrounded by a collection of rare old synths and vintage samplers, a little dog and the best red wine of italy. kian is making beats all day long. that’s his life. he started his career on toy tonics last year and now is back with an own ep - full of that fucked up, jazz influenced cut & paste house sound that is taking over the house world since last year. similar to his friends rhode & brown, fouk, nachtbraker or the guys around oye records in berlin he loves to create this special way of sampling old jazz records and using rare vintage synthesizers instead of digital computer sounds. just listen to a normal deep house records of the last years and compare it with the sound of the kian. using these old synths makes a big difference. you can hear it on every of his tunes: there is no cheap sound here everything is fat and has a very warm, personal, always easy to recognize sound-aesthetic: courtesy of the four synthesizers he uses: the korg polysix, the sequential prophet600, a roland juno 60, and the legendary oberheim matrix 6. and courtesy of the way he mixes his tracks: not in the laptop - but the old way: on a fat old mixing desk. thats why he has that massive sound.

the kurl project started in the summer of 2014 where the primary concept was to sonically encompass the various influences of a twenty-year musical journey. the essence of kurls sound is mainly deep dub with hints of house groove that create a very unique sound environment connecting the listener to his lifestyle and movement. at the root of “sacred fire” is a very special love story. kurl started an emotional partnership, a genuine brotherhood with mj white, one of the pioneers of the soulful house music sound of the new york ’90s. marshall james white appeared on many hits in the nyc club scene including scandalous still irresistible just to name one. he tragically passed away in november 2015. mj white gives soul to sacred fire by writing the lyrics and interpreting it with so much passion that kurl was able to transform this track into an eternal love song. for kurl, mj white will remain the angel with a heavenly voice, and above all, a memory that will mark his internal and musical journey for the rest of his days in the words of mj white music has a huge heart that beats inside all of us.

night train serves both as a marvellous offering for james brown completists, and, on another level, as a brilliant on-record instrumental jukebox, full of booting saxes, guitar sounds that practically force you to get up and dance, and all propelled by a beat that’s spanned the years without ageing one little bit. so there you have it… a great album that proves what james brown and his friends were doing at the start of the ‘60s still sounds amazingly fresh.
pressing on translucent red 180 gram vinyl.

after just a few months to digest the last limited series 02 offering banoffee pies are back with more fruit for the basket. as summer draws to a close the imprint provide another value packed va courtesy of more local and previously unheard artists - this time following a slightly more coherent sound. 5 tracks all packed with drums, bongos, samples, and down tempo moods. made and compiled with care. sex, love, dancing. banoffee pies x

no bad days is back for round 2. ‘in the galleria’ slides in with dreamlike pads and a real euphoric feel to the whole track. just right for those balearic sunsets. second on the a side is ‘celestial bodies’ - a melodic freestyle jam that makes us feel like we’re down at the arcade playing ‘out run’ on a dusty mega drive.
over to the flip we start off with the title track, ‘lunar waves’ beginning with a tougher feel it hints at a hardware acid workout... but half way in roberto hits you with those dreamy pads again and just has us in his hands for that synth solo at the end! rounding off the ep perfectly is ‘when u come around’, a real ‘end of summer sitting down at the park with your mates’ kind of track...mmm...

the first 3 releases from warm tapes adjustment all bundled up for one special price!

chicagos dj clent has long been revered as one of the founding figures of the city s unique juke and footwork scene. having released some of the genres earliest examples of the sound hes rightfully respected as a dj and producer in the game. 100% ghetto we 2 ghetto 4 ya! was originally released in 1998 on the legendary dance mania label and has been long sought after by fans of juke, footwork and the ghetto house sound and is quite a tough record to track down often commanding collectors prices in the used market. across 7 tracks covering various styles clent gives us his rough, ready and raw sound. uncompromising, heavy, frenetic and just plain jacking this ep still packs a serious punch! the sinister, brooding 3rd wurle still manages to sound foreboding and otherworldly, while straight up ghetto house staples let me hit it (from the back) and bang that rat still rock any soundsystem today! this is the first time 100% ghetto we 2 ghetto 4 ya! has ever been reissued in full, just as it was originally released in 1998, complete with original dance mania label artwork. 100% legit, reissued in conjunction with dance mania records, chicago il and parris mitchell. we bout it

these songs were made over the past 2 and a half years by uchi: luna (january 2016), was named after a talking cat. it s kind of a sad story. you will find some synth sounds, three different kick drums, and a couple hi-hats. it s kind of moody. you can take it as it is, or not. pride is poison (july 2014) ironically, it s titled after experiencing dosages of unhealthy relationships, though it might be the one people like the most. it s sad-ish, noisy, bouncie, and bassie? that about sums it up. inc (february 2016) is titled after the international noise conference, where it was recorded. actually it s a 3 part spliced zoom room recording of a 25min long improvisation, made in a punk bar. the argument here holds, is it really worth it to make perfect music? where is the concept of -live- in techno anyways? it doesn t matter. it s just a semi-distorted recording of a moment that meant nothing to almost no one, and yet it lives.

excellent groovin deep house ep , just check

2016 ist es so weit: mit »the real royal albert hall 1966 concert« gibt es endlich den echten mitschnitt des legendären konzertes auf doppel-lp.
ursprünglich war nämlich schon 1998 ein album mit diesem titel als bootleg-variante erschienen. dabei handelt es sich jedoch fälschlicherweise um die aufnahme einer show aus manchester, statt aus der royal albert hall.

the 2010 black eyed peas album “the beginning” as deluxe edition 180 gram double vinyl in gatefold sleeve.

from the land of deplorable synths comes daniel savio’s nigredo 12inch - a first on his house of wisdom home. we just like to say listen to axel boman. this is a brilliant ep by one of my music heroes. impossible to pick a favorite song when all three are deep and emotional, powerful and sensitive at the same time. this wont leave my bag for a long time. vital sales points: 1st 12inch on house of wisdom by co-founder daniel savio - releases on permanent vacation, romb, high feelings, service - support from john talabot, axel boman, kornél kovacs, mika snickars - 30000 interactive viewing sessions on nigredo vr-video

here we go again. daniel paul & audio werner keep your feet busy. no more words necessary, just hit the button buddy :o)

vinyl only! oye edits is back with the 2nd release: this time with jonny rock, a close friend, who is also responsible for the amazing disco hamam & hamam house releases. here we have four different styles on one record. from disco to proto-house to funk & balearic... party music for party people ! .

tomahawk records is a new label that resists genres and hones in on the curation and sound of new artists. the label is keen to push undiscovered artists out into the periphery and give them the support to help grow as individuals.
the first release which is just round the corner is by the australian duo anthony fade, two hidden gems found on soundcloud. their process is a simple combination of hardware and software instruments and heavy use of ambient recordings and various samples. the ep titled “like that” contains four tracks of late summer vibes, dreamy vocals and a massive dose of energy getting ready for winter.

just in time for ade, we are more than happy to present a new release by one of our main protagonists since our renaissance. lehar has made a fascinating career in only two years, he is a key member in our label family as well as diynamic and plays gigs around the world. his -white diary ep“ is his most unique release so far, with two original tracks by him and two dub versions by uk house legend charles webster. -the cave- is a very touching track which again shows lehar’s love for deep but popish moments in his music. again, he has teamed up with l.a. singer rush midnight, who already lent his voice to -number one hero“, which was released earlier this year on the diynamic sub-imprint 2diy4. an instrumental version is also available in the digital package. the title track -the white diary“ is a demanding and hypnotic builder, which was already played often by solomun during the summer. this is a next level lehar track, signature sound structure combined with a highly effective arrangement. a winner for many situations. charles webster has been a favourite of the connaisseur label heads alex flitsch and martin henkel for ages. requesting a remix by him has been on the connaisseur bucket list since day one. he gave -the cave“ two different dub treatments, one better than the other. his -dub the first“ already takes the original one foor deeper, making it very timeless and hypnotic. his -dub the second“ takes it even deeper and is adding a proper portion of trippiness. music for the guardians of the real stuff!

nice price deal !!! supported by nick warren, timo maas, darko esser, steve porter, mark brown, d.ramirez, anderson noise, dj tee.
bit027 is by 2 italians (who do it better as we already know anyways ...) mario masullo & glitches who deliver a pure particle riot on their >pimps ride free< ep. the kids (mario masullo from rome and glitches peepz from naples) without a doubt know what they are doing on this strong as it gets 3 track ep. the message is raw driving techno with an orchestral feel and an overall extra ordinary hypnotizing mood that really breaks away from the norm and will leave the dancer behind thirsty for more. while the a-side is more on the techy driving side of things, combining orchestral sounds for creating a very quite unusual vibe, b1 goes even deeper in hypnotizing your ears and fucking with your brains, real phsychotic dancefloor madness is the key here. b2 then heads back to the melodic side of the game, without forgetting to keep a strong eye on an intense dance-floor aspect here also. melodies so sweet and clean keep flirting with your ears on this one and its just all so well put together, that it manages to keep an minimal feel, eventhough its filled with so many ideas and great sound details, that it simply leaves us behind speechless and answers the question why our new pimps, sure ride for free at the same time ...

rothmans turn to debutant producer dawn again, who strides onto the football-focused label with a confident grip of otherworldly hardware jams. as is customary on the label, the mood takes on a laid back approach to four to the floor grooves, with -coloured pens- kicking off proceedings on a soaring bed of psyched-out house optimism. while -the italian- may be moodier in its demeanour, it s still just as mellow in its delivery, capitalising on alluring wave synths and reverb swells to great effect. -plain of jars- takes a trippier direction with its bubbling fx and bongo-powered beatdown, and then -lavender- switches things up with a rolling breakbeat undercarriage and plush lead lines on top.

... without words - just music / ltd repress

remember when techno was all about creating the soundtrack for the future remember when there were no borders between styles or scenes remember when your favourite records were just white label vinyls, stamped with cryptic names this was exactly around the time edge of motion first made their mark on electronic music. even now, decades after they first burst on the scene, seminal tracks like set up 707 and albums like planet gong realities and ad hoc are still frequently played by techno s most revered selectors.

jump source is a collaborative effort between two pals, francis latreille & patrick holland (project pablo). it all started on a thursday afternoon in montreals mile end at francis home studio. over an mpc 2000xl, moog source, modular kit, and some junos, the two tweaked breaks and blended pads until things sat just right. guide to action fits 4 tracks, some of which include solos, vocals, and amusing fadeouts

chicago has always been a place that had talented musicians. it has been a hub for soul, funk, blues, and jazz for generations. the significance of the real sound of chicago release in disco compilation terms is that many chicago private disco labels never made it out of the city. just like chicago house music...

after the release of their collaborative breed ep at the end of last summer, nicole moudaber and skin (from skunk anansie) have unveiled their highly anticipated remix package featuring a long list of respected producers. carl craig, fur coat, jamie jones, jerome sydenham, paco osuna, pan-pot and scuba, are just some of the names which have turned their hand to the project. originally born out of nicole and skin s desire to fuse their rock and techno backgrounds, this is a true collaboration project with a difference. the pair have also recently been sharing the stage at high-profile slots such as space ibiza and coachella. the first track on the second part see s don t talk to me i m dancin remixed by hot creation boss jamie jones, which features a thudding heavy bassline, and zebra katz vocals sampled over the top. the second track on the a side see s french emotive techno specialist paul ritch turns in an atmospheric, driving remix of these walls are made of water . first up on the b side is pan-pot s take on these walls are made of water , adding the duo s characteristic stomping touch, as well as dramatic new synth melodies. this remix is another nicole favourite, often featured in her sets and her in the mood radio shows. rounding off the b side jerome sydenham remixes don t talk to me i m dancin feat. zfk and takes the track into uptempo driving territory.